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AI Models/Seedance/Prompting

How to prompt Seedance

Seedance 1.5 Pro splits the work between the prompt and real controls: a Fixed Camera toggle for truly static shots, an optional end frame that pins where the shot must land, a seed for repeatable runs, and native synchronized audio. The prompt itself describes one continuous take — subject and action, a single camera move, lighting, then sound. This model does not cut between shots; it flows through one, so write the prompt as an unbroken arc from first frame to last.

Anatomy of a Seedance prompt

  1. 1

    Scene & one action

    A single continuous action with a clear arc — "a barista pours latte art into a cup", not a list of things happening. One take, one beat.

  2. 2

    Character & framing

    Who is on screen and where they sit in the frame: "centered, waist-up", "small in the lower third". Placement words survive better than mood words.

  3. 3

    Camera move (or none)

    One move maximum — dolly-in, lateral track, slow push. For a static shot, skip camera prose entirely and turn on the Fixed Camera toggle instead.

  4. 4

    Lighting & atmosphere

    Source and direction: "single hard backlight", "diffused morning window light". Atmosphere particles (steam, dust, fog) give the motion something to reveal.

  5. 5

    Audio

    Dialogue in quotes gets spoken and lip-synced; foley is tied to visible events ("ice crackling as it splits"). v1.5 Pro is the audio variant — Lite and Pro Fast render silent.

  6. 6

    End state (optional)

    Where the shot should finish. When the final frame matters more than the journey, also upload it as the end frame — the prompt narrates the path, the frame guarantees the destination.

Template

[subject] [one continuous action], [framing and placement], [single camera move — or rely on Fixed Camera], [lighting and atmosphere], [audio: dialogue in quotes / foley / ambience]

10 example prompts that work

UGC testimonial from a keyframe

i2v · 9:16 · 10s · 1080p · audio on
She keeps her selfie framing and speaks directly to camera with natural hand gestures: "I was skeptical, but this cleared my skin in two weeks." Slight handheld sway, hair moving softly, lighting unchanged from the source image. Ambient: quiet bedroom room tone.

In image-to-video the prompt directs only motion and the spoken line — identity, outfit and framing come from your start image. The quoted line is lip-synced natively; this exact pattern powers ManyMotions's UGC ad pipeline in production.

Locked-off product spin

1:1 · 5s · 1080p · Fixed Camera on
An amber glass skincare dropper bottle rotates slowly on a matte white turntable, centered composition, soft wraparound studio light with one specular highlight sliding across the glass, seamless light-gray background. Audio: low studio room tone, a faint mechanical whirr from the turntable.

Fixed Camera does the stabilizing, so the prompt spends every word on the product and the light. Turn the toggle on instead of writing "static camera" — the parameter is deterministic, prose is a suggestion.

Start-to-end frame reveal

i2v + end frame · 16:9 · 5s · 1080p · audio on
The closed gift box on the table opens by itself, the lid lifting smoothly as golden light spills from inside, tissue paper unfolding, camera holding a gentle slow push-in. Audio: soft paper rustle, a warm rising chime as the light appears.

Upload the closed box as the start frame and the open, glowing box as the end frame — Seedance 1.5 interpolates a believable path between the two. Use this for reveals and transformations where the final image is non-negotiable.

Cinematic 21:9 b-roll

21:9 · 10s · 1080p · audio on
A lone cyclist crosses an empty concrete overpass at dawn, tiny against the brutalist architecture, ultra-wide composition with heavy negative space, slow lateral tracking shot, cold blue-hour light with the first orange sun hitting the towers behind. Audio: distant city hum, freewheel clicks, wind.

21:9 rewards composition language — "negative space", "tiny against" — that tells the model how to use the extra width. One subject, one move, ten seconds: the 1.5 sweet spot for b-roll.

Physics pour, macro

4:3 · 5s · 1080p · audio on
Macro shot: cold brew coffee pours over a large clear ice cube in a glass, liquid sheeting around the ice with realistic refraction, tiny bubbles rising, condensation beading on the outside, single hard backlight making the liquid glow amber. Audio: the pour, ice crackling as it splits.

Physics is a Seedance family strength, and it feeds on nouns and verbs — "sheeting", "refraction", "crackling" — not adjectives. The ice-crack foley syncs to the visible split because both are named.

Seed-locked A/B iteration

16:9 · 5s · 720p · seed 1234
A runner ties her shoes on a foggy trail at sunrise, low angle close on the hands, then she stands and runs past the camera out of frame, shallow depth of field, soft diffused light. Audio: birdsong, laces snapping, footsteps fading.

Set a fixed seed, then change exactly one phrase per run — swap "low angle close on the hands" for "overhead top-down shot" and rerun. With the seed held constant, output differences come from your wording, not randomness: prompt debugging instead of prompt gambling.

Animate a still portrait

i2v · 3:4 · 5s · 1080p · Fixed Camera on
The man in the portrait blinks naturally, breathes, and slowly breaks into a warm smile, eyes catching the light, a faint breeze moving his hair, background bokeh drifting subtly.

Small verbs — "blinks", "breathes" — keep fidelity to the source photo; big verbs invite the model to reinvent the face. Pair the micro-motion prompt with Fixed Camera on so all movement belongs to the subject.

Handheld street-food energy

9:16 · 10s · 1080p · audio on
Handheld camera weaves behind a street cook flipping noodles in a flaming wok at a night market, steam and sparks lit by hanging bulbs, quick natural sway as the camera leans over the wok for a closer look. He shouts happily: "Extra chili? Extra chili!" Audio: roaring flame, clattering metal, crowd chatter.

"Handheld" plus a described camera intention ("leans over for a closer look") produces motivated movement instead of random drift. The shouted line lands with lip-sync and the wok foley times itself to the flips.

Fast draft pass before the final

i2v · 16:9 · 5s · 480p · Seedance v1 Pro Fast
The sneaker on the pedestal rotates as the background shifts from white to deep blue, rim light tracing the silhouette, slow dolly-in from medium to close.

Rough out motion ideas on Seedance v1 Pro Fast at 480p — same prompt grammar, quicker renders, no audio. When the movement reads right, rerun the identical prompt on v1.5 Pro at 1080p with audio on.

Seamless loop (same start and end frame)

i2v + end frame (same image) · 16:9 · 5s · 1080p · audio off
Abstract waves of indigo and teal silk fabric ripple in slow motion, folds catching studio light, continuous fluid motion with no beginning and no end, hypnotic and calm.

Upload the same image as both start frame and end frame and the clip returns to its opening state — a seamless loop for website headers and ambient screens. Keep the motion continuous ("ripple", "flow") so the loop point disappears. Loops read cleaner silent.

Settings that matter

  • Duration

    5s or 10s. Five seconds covers one action beat; ten fits an action plus a reaction or a short spoken line. There is no 15s here — plan longer stories as chained clips or step up to Seedance 2.0.

  • Resolution

    480p to iterate, 1080p to ship (the default). Prompt and seed carry across resolutions unchanged, so drafts transfer directly.

  • Aspect ratio

    Six options: 16:9, 9:16, 1:1, 4:3, 3:4, 21:9. Pick before writing — composition language should match the frame.

  • Fixed Camera

    The static-shot switch. Use it for product shots, portraits and loops instead of writing "static camera" into the prompt — the toggle is absolute.

  • Generate Audio

    On by default on v1.5 Pro and worth directing: dialogue in quotes, foley tied to visible events. v1 Lite and v1 Pro Fast render silent.

  • Seed

    Leave empty for variety; fix it to isolate wording changes while iterating, or to re-render a take you liked at a higher resolution.

  • End frame

    Optional second image that pins the final frame. Use it for reveals, transformations, clip-chaining and seamless loops (same image as start and end).

Do and don't

Do

  • Write one continuous take — a single action arc with one camera move, never a shot list.
  • Use the Fixed Camera toggle for static shots and spend the prompt on subject and light instead.
  • In image-to-video, describe only the motion — the start image already carries identity, wardrobe and framing.
  • Pin the seed while refining wording so each rerun is a controlled experiment.
  • Tie every sound to a visible event ("ice crackling as it splits") — synced foley sells realism.
  • Upload an end frame when the final state matters more than the journey.

Don't

  • Don't number shots or ask for cuts — Seedance 1.5 renders one continuous shot; in-clip editing is Seedance 2.0 territory.
  • Don't use negative-prompt syntax — there is no negative field. State what you want, not what to avoid.
  • Don't re-describe your uploaded image in i2v prompts — you'll fight the anchor instead of animating it.
  • Don't write more dialogue than the clip holds: roughly two to two-and-a-half words per second is the ceiling.
  • Don't stack camera moves ("dolly in, then orbit, then crane up") — you'll get a mushy average of all three.

Advanced techniques

The start/end frame sandwich

The end frame turns generation into interpolation: the model plots a plausible path from your first image to your last. Three patterns cover most of its value.

  • Reveal — start closed/off/empty, end open/on/full; the prompt narrates the transformation
  • Clip chaining — export the last frame of clip one and use it as clip two's start frame: an invisible cut across separate generations
  • Seamless loop — identical start and end image; keep motion continuous so the join disappears

Seed discipline

Treat each generation as an experiment with one variable. A fixed seed plus a single wording change tells you what that phrase actually does; a fresh seed on the same prompt shows the model's natural variance. Iterate at 480p with the seed locked, and when a take wins, re-render it at 1080p with the same seed and prompt — you keep the take, not just the idea.

Directing audio in a single take

With no cuts available, sound carries the rhythm. Layer it in the order the ear notices: continuous ambience first ("night market chatter"), then point foley bound to visible events, then at most one short spoken line. Because the take is unbroken, badly timed audio has nowhere to hide — naming the trigger ("as it splits", "as the lid lifts") is what places the sound correctly.

Which variant to use

  • Seedance v1.5 Pro

    Default. Native audio, Fixed Camera, seed and end frame — the full control set at 480p-1080p.

  • Seedance v1 Pro Fast

    Image-to-video drafting: quicker renders, same prompt grammar, no audio. Iterate here, finalize on v1.5 Pro.

  • Seedance v1 Lite

    Lightest concept pass for text- and image-to-video, silent. Good for testing composition ideas in bulk.

  • Seedance 2.0

    Step up for multi-shot sequences, 4K and prompt-only director control — it has its own prompting guide.

Frequently asked

How do I get a perfectly static camera?

Turn on the Fixed Camera toggle — on Seedance 1.5 it is a real parameter, not a prompt instruction. Save the prompt words for subject, light and sound.

Does Seedance 1.5 Pro support negative prompts?

No. There is no negative field, so describe what you want positively — "seamless light-gray background" instead of "no clutter". Concrete positive description is the only steering mechanism.

Can one generation contain multiple shots or cuts?

No — 1.5 renders a single continuous take. For in-clip cuts use Seedance 2.0, or chain 1.5 clips with the end-frame trick: make clip one's last frame clip two's start frame.

Does spoken dialogue lip-sync?

Yes, on v1.5 Pro with Generate Audio on: put the line in quotes and describe the speaker. Keep it short — a 10-second clip carries about 20-25 words at a natural pace.

What is the end frame upload for?

It pins the exact final frame of the clip. Use it when the destination is non-negotiable: product reveals, state transformations, seamless loops, or chaining clips into longer sequences without visible joins.

When should I use Seedance 2.0 instead?

When you need in-clip cuts, 4K, 15-second takes or reference-image character consistency. Stay on 1.5 Pro for single-shot work where its switches — Fixed Camera, seed, end frame — give tighter, cheaper iteration.

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